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The Best of Chessie Moore: Mixed “Beast‑iality” in Contemporary Canine Narrative
An interdisciplinary literary‑cultural analysis of mixed‑breed representation in modern dog‑centric storytelling
The works collectively demonstrate how species hybridity can parallel cultural hybridity, expanding the analytical toolbox of literary scholars. By treating mixedness as productive rather than deficient, Moore challenges the pedigree paradigm and offers a template for future ecocritical studies. Animal - Dog - The Best Of Chessie Moore -Mixed Beastiality
The anthology comprises 24 pieces: 14 short stories, 6 poems, and 4 illustrated vignettes. All works feature at least one mixed‑breed dog as a central or narrating character. The Best of Chessie Moore: Mixed “Beast‑iality” in
The recent anthology Animal – Dog – The Best of Chessie Moore – Mixed “Beast‑iality” (2025) compiles a diverse selection of short stories, poems, and illustrated vignettes that foreground mixed‑breed dogs as cultural symbols, narrative agents, and sites of identity negotiation. This paper investigates how Moore’s work reconfigures traditional notions of purity, pedigree, and anthropocentric hierarchy by foregrounding “mixedness” as a literary and aesthetic strategy. Drawing on theories of animal studies, hybridity, and narrative ethics, the analysis demonstrates that the anthology simultaneously (1) celebrates the lived realities of mixed‑breed dogs, (2) critiques the commodification of pedigree breeding, and (3) proposes a speculative ecology of interspecies companionship. The study concludes that Moore’s “Mixed Beast‑iality”—a neologism that deliberately plays on the word “beastial” to foreground the beastly (animal) rather than the illicit—offers a model for humane, imaginative engagement with domestic animals in contemporary literature. and visual storytelling
Chessie Moore’s The Best of Chessie Moore – Mixed “Beast‑iality” reimagines the mixed‑breed dog as a literary protagonist, ethical interlocutor, and speculative architect of human‑animal futures. Through a blend of narrative voice, poetic irony, and visual storytelling, the anthology dismantles the hierarchy of pure versus mixed, foregrounds animal agency, and proposes an inclusive, compassionate ecological imagination.
Future research might extend this analysis to cross‑cultural representations of mixed‑breed animals, or explore digital media adaptations that further democratize animal subjectivity.
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