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Lanting’s "Eye to Eye" series (including the famous portrait of a gorilla) uses tight cropping to remove context. The result is a psychological portrait. He elevates the primate to the level of human ancestor art, challenging the viewer’s anthropocentrism.
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For decades, a quiet rivalry existed between two groups of people who loved the outdoors. On one side stood the wildlife photographers, armed with 600mm lenses and a devotion to the "decisive moment." Their gospel was authenticity: no added light, no moved twigs, no digital trickery. On the other side were the nature artists—painters, sketchers, and digital illustrators—who celebrated interpretation: the feeling of a storm, the soul behind the eyes, the color that doesn't exist in nature but should.
Today, that line has dissolved. We have entered the age of the visual naturalist—a hybrid creator who uses every tool available to tell the story of the living world.