James Taylor Greatest Hits 24 Bit Flac Vinyl Repack May 2026

James Taylor's Greatest Hits album, originally released in 1976, has seen several high-fidelity re-releases in recent years, most notably a 2019 Peter Asher-supervised remaster available in 24-bit high-resolution digital formats premium 180g vinyl highresaudio 2019 Remastered Release (24-bit FLAC) This version was released in March 2020 HighResAudio ProStudioMasters : Available in 96 kHz / 24-bit FLAC Highlights

: The remastering was overseen by Taylor's original producer, Peter Asher , aiming to preserve the warmth of the original recordings. Track Differences

: Like the original 1976 release, it includes 1976 re-recordings of "Something in the Way She Moves" and "Carolina in My Mind" rather than the 1968 Apple Records originals. ProStudioMasters Vinyl Reissues

There are two primary modern vinyl options for collectors seeking high-end sound quality: Rhino/Warner 180g Vinyl (2019/2020)

: This is the standard high-quality reissue based on the 2019 remaster, pressed on 180-gram black vinyl Mobile Fidelity (MoFi) UltraDisc One-Step : For audiophiles, MoFi offers a limited edition 180g 45RPM 2LP box set . It is mastered from the original analog master tapes and pressed on MoFi SuperVinyl for maximum detail and lower noise floors. Market Availability Digital Downloads : High-resolution versions can be found on sites like HighResAudio Physical Vinyl : The 2019 remaster vinyl is available at retailers like track listing of this remaster with the original 1976 version?

Originally released in November 1976, Greatest Hits is James Taylor's best-selling album, certified Diamond with over 11 million copies sold. It captures the definitive "early era" of his career (1970–1976) under Warner Bros. Records. Key Features of the 2019/2020 Reissue

Remastering: Digitally remastered from the original analog tapes, overseen by Peter Asher to ensure "superior sound quality" and a rich, detailed soundstage.

Vinyl Specs: Standard reissues are 180g black vinyl, though some "Indie Exclusive" or "Hot Stamper" versions may exist at higher price points.

Redone Tracks: The album is famous for including 1976 re-recordings of "Carolina in My Mind" and "Something in the Way She Moves," which Taylor felt improved upon the 1968 originals. Tracklist (2019 Remaster)

The vinyl and hi-res FLAC versions typically follow this sequence: Something in the Way She Moves (1976 version) Carolina in My Mind (1976 version) Fire and Rain Sweet Baby James Country Road You've Got a Friend Don't Let Me Be Lonely Tonight Walking Man How Sweet It Is (To Be Loved By You) Mexico Shower the People Steamroller (Live version) Where to Buy

Vinyl: Available at retailers like FYE (approx. $25) or through independent shops on Discogs.

Digital: High-resolution 24-bit files can be found on Qobuz or HDtracks.

James Taylor’s Greatest Hits, a Diamond-certified staple since 1976, has seen multiple high-fidelity revivals that bridge the gap between classic analog warmth and modern digital precision. The 2019 Remaster: High-Res Digital Prowess

The most recent significant overhaul was the 2019 Remaster, overseen by Taylor's longtime producer Peter Asher. This version is the foundation for the high-bitrate digital "repacks" often found on audiophile platforms.

Resolution: Available as a 24-bit FLAC download (often in 96kHz or 192kHz) on sites like HighResAudio and Qobuz.

Unique Content: It includes the iconic "redone" versions of "Carolina in My Mind" and "Something in the Way She Moves," which Taylor re-recorded specifically for the original 1976 compilation to provide a more cohesive sound with his later Warner Bros. work. Premium Vinyl Reissues

For those looking for a physical "repack" that matches the quality of 24-bit digital files, two major releases stand out:

Mobile Fidelity (MoFi) UltraDisc One-Step: This is a limited, numbered 180g 45RPM 2LP box set. It is mastered from the original master tapes and pressed on MoFi SuperVinyl, a proprietary compound designed for the lowest possible noise floor and enhanced groove definition.

Standard 2019 Vinyl Reissue: A more accessible 180-gram vinyl LP using the Peter Asher/Bernie Grundman remastering, widely available at retailers like Amazon and Walmart. Track Highlights Something in the Way She Moves Don't Let Me Be Lonely Tonight Carolina in My Mind Walking Man Fire and Rain How Sweet It Is (To Be Loved by You) Sweet Baby James Country Road Shower the People You've Got a Friend Steamroller (Live) James Taylor's Greatest Hits: CDs & Vinyl - Amazon.com

James Taylor's Greatest Hits album has several high-quality digital and physical versions that match your interest in a 24-bit FLAC experience or a high-end vinyl repack. The most significant recent release is the 2019 Remaster , which was overseen by Peter Asher. Amazon.com High-Resolution Digital Versions

If you are looking for a 24-bit FLAC file (often referred to in community circles as a "repack" when paired with custom artwork or sourced from a high-end vinyl rip): 2019 Remaster (96kHz / 24-bit)

: This is the official high-resolution version available on platforms like HighResAudio Vinyl Rips

: Audiophile communities often create "vinyl repacks" by ripping premium pressings (like the MoFi Ultradisc) into 24-bit FLAC to preserve the specific analog character of the vinyl. The Skeptical Audiophile Premium Vinyl Options

For a physical "repack" or premium reissue, there are two primary choices: Rhino/Warner 2019 Remaster (180g Vinyl)

: This single LP version uses the 2019 remastering and is widely available at retailers like Acoustic Sounds Mobile Fidelity (MoFi) Ultradisc One-Step

: A highly specialized 45RPM 2LP box set that uses "SuperVinyl" for extremely low noise and high detail. The Warner Bros. Albums 1970–1976 Box Set : Includes a remastered version of Greatest Hits as part of a larger 6LP collection. Music Direct Notable Track Differences

James Taylor – Greatest Hits, Now with Aphex Aural Excitement!

Then transient information — fast, clear, sharp attacks for the guitars and drums, not the smear and thickness common to most LPs. The Skeptical Audiophile James Taylor - Acoustic Sounds

Option 1: The Audiophile Deep Dive (Best for Forums/Blogs)

Headline: The Ultimate Listen: Why the 24-bit FLAC Vinyl Repack of James Taylor’s Greatest Hits is Essential

For many, James Taylor’s Greatest Hits (1976) isn't just a compilation; it is the definitive collection of the singer-songwriter era. It captures the warmth of the Apple Records years and the polish of the Warner Bros. years in one package. But if you’ve only ever heard this on CD or standard streaming, you’re missing half the picture.

Enter the 24-bit FLAC Vinyl Repack.

Why this repack matters: Vinyl rips have a notorious reputation for surface noise, but a high-quality "repack" done right removes the snap, crackle, and pop while retaining the dynamic range that vinyl is famous for. When you couple that with 24-bit depth, you get the best of both worlds: the tube-like warmth of the original analog pressings and the pristine silence of a digital master.

The Sound: Listening to tracks like "Carolina in My Mind" or "You've Got a Friend" in this format reveals a startling amount of micro-detail. The 24-bit resolution captures the breath between Taylor’s vocals and the resonance of his acoustic guitar strings in a way that standard 16-bit/44.1kHz Red Book audio often flattens. The low end on "Fire and Rain" feels fuller, and the high frequencies on the cymbals shimmer without the harsh digital glare often found on early CD masters.

This isn't just background music; this is an audiophile experience. It’s the closest you can get to dropping the needle on a mint-condition original pressing without wearing out the groove.

Part 3: The Vinyl Variable – Why Analog Still Wins (Sometimes)

The second half of the keyword is "vinyl repack." At first, this seems contradictory. How can a digital FLAC file be a "vinyl repack"?

In the digital underground, a "Vinyl Repack" (or Vinyl Rip) refers to a digital recording of an analog playback. An enthusiast takes a pristine pressing of James Taylor’s Greatest Hits (usually the original Warner Bros. pressing or the 2010s reissue), plays it on a high-end turntable (e.g., a Technics SL-1200 with a Shure cartridge), and records the output into a 24-bit ADC (Analog to Digital Converter).

Tracklist (example — verify actual sequence)

  1. Sweet Baby James
  2. Fire and Rain
  3. Country Road
  4. Mexico
  5. You’ve Got a Friend
  6. Shower the People
  7. How Sweet It Is (To Be Loved by You)
  8. Steamroller Blues
  9. Something in the Way She Moves
  10. Handy Man
  11. Carolina in My Mind
  12. Don’t Let Me Be Lonely Tonight

(Confirm final track order and any alternate takes, live versions, or bonus tracks.)

Option 3: Short & Punchy (Best for Telegram/Discord/Twitter)

Concise and to the point.

🎵 [Hi-Res] James Taylor - Greatest Hits (Vinyl Repack)

The ultimate collection from the legendary JT, now available in audiophile quality.

✅ Format: 24-bit FLAC (Lossless) ✅ Source: Vinyl LP Transfer ✅ Quality: High-Res 96kHz

Get the true analog warmth of classics like "You've Got a Friend" and "Fire and Rain" without the digital compression. A must-have for audiophiles and classic rock collectors.

👇 [Download Link]

Part 7: The Verdict – Is the Quest Worth It?

Is a 24-bit FLAC vinyl repack of James Taylor’s Greatest Hits the definitive way to listen? The answer depends on your philosophy.

  • If you are a data purist: No. The vinyl repack has noise, distortion, and channel crosstalk. You should buy the official 24-bit master from HDTracks or Qobuz.
  • If you are an emotional listener: Yes. The vinyl repack contains the performance of the playback. The physicality of the needle dragging through grooves adds a third dimension: space.

The search for "james taylor greatest hits 24 bit flac vinyl repack" is ultimately a search for authenticity. It is a rejection of the sterile, loud, lifeless streaming version. It is an attempt to freeze a moment in time—the warmth of a 1970s pressing, the resolution of modern digital recording, and the meticulous organization of a dedicated fan.

Whether you find it on a private tracker, create it yourself, or simply use this knowledge to appreciate why your uncle insists his old records sound better, remember this: James Taylor wrote these songs to connect. The format is just the bridge. The 24-bit vinyl repack is simply the strongest, warmest, most intimate bridge currently available to the human ear.

Final Recommendation: If you can find a verified "Vinyl Repack" of the 1976 Warner Bros. pressing in 24/96 FLAC, grab it. Play it at dusk. Turn off the lights. You won’t just hear Sweet Baby James. You’ll feel the fire and the rain in the room with you.

Keywords integrated: James Taylor, Greatest Hits, 24-bit FLAC, vinyl repack, high-res audio, audiophile, digital vs analog.

James Taylor’s Greatest Hits (1976) remains one of the most successful compilations in music history, serving as a masterclass in the singer-songwriter tradition. The modern resurgence of high-fidelity audio has led to a renewed interest in this collection, specifically through 24-bit FLAC vinyl repacks. These digital high-resolution files, sourced from premium vinyl pressings, bridge the gap between the warmth of analog playback and the surgical precision of modern digital formats.

The core appeal of a 24-bit FLAC repack of this album lies in its ability to preserve the "air" and spatiality of the original 1970s recordings. Unlike standard 16-bit CDs, which can occasionally truncate the delicate decay of acoustic guitar strings, 24-bit audio offers a much higher dynamic range. When this technology is applied to a "vinyl repack"—a digital capture of a high-quality vinyl record—it retains the specific harmonic distortions and tonal richness that audiophiles associate with the needle on the groove. In Taylor’s case, this means his gentle baritone and intricate fingerpicking on tracks like "Fire and Rain" and "Country Road" sound more intimate, as if the listener is sitting in the room during the session.

Furthermore, these repacks often utilize prestigious reissues as their source material, such as those mastered by Bernie Grundman or released via Mobile Fidelity Sound Lab (MoFi). These versions are typically pressed on 180-gram or 200-gram "virgin" vinyl, which minimizes surface noise. When digitized at a high sample rate (such as 96kHz or 192kHz), the resulting FLAC file captures the unique EQ curve and "punch" of the vinyl mastering. This provides a distinct alternative to "flat" studio masters, offering a soundstage that feels wider and more organic.

Ultimately, the James Taylor Greatest Hits 24-bit FLAC vinyl repack is a testament to the enduring quality of analog-era production. It honors the meticulous engineering of the 1970s while leveraging 21st-century file formats to ensure that the music is preserved without degradation. For the listener, it offers the best of both worlds: the nostalgic, tactile soul of vinyl and the convenience and clarity of high-resolution digital audio. 🎵 Technical Breakdown Format: FLAC (Free Lossless Audio Codec).

Bit Depth: 24-bit (Superior to 16-bit "Redbook" CD quality). Source: Often sourced from 180g Audiophile Remasters.

Sonic Goal: To replicate the "analog warmth" of vinyl in a digital environment. 🎸 Key Tracks to Listen For

"Something in the Way She Moves": Listen for the clarity of the vocal overtones.

"Carolina in My Mind": Notice the separation between the bass line and acoustic strumming.

"Sweet Baby James": Focus on the depth of the soundstage and the "room sound."

Title: The Ghost in the Groove: The Story of JT24-Vinyl-Repack

Part 1: The Quest

The forum post appeared at 3:17 AM on a Tuesday, deep within the “Vinyl Rips & High-Res” subreddit. The title was a haiku of audiophile desire: "James Taylor Greatest Hits (1976) – 24-bit FLAC – Vinyl Repack (Needledrop)."

To most people, it was gibberish. To Alex, it was a siren song. james taylor greatest hits 24 bit flac vinyl repack

Alex was forty-two, a civil engineer by day and a digital archaeologist by night. He didn’t collect stamps or coins. He collected versions. He had seven copies of Abbey Road: the 1983 CD, the 2009 remaster, the 2012 vinyl rip, the 2019 Dolby Atmos. But James Taylor’s Greatest Hits—the 1976 compilation that defined soft rock’s golden hour—was his white whale.

He had the 1990 CD. It sounded "fine." He had the 2014 mobile fidelity SACD. It sounded "clinical." What he wanted was the warmth. The thing you can’t measure with a spectrometer: the sound of a needle falling into a groove, the faint pre-echo of the tape hiss, the way "Fire and Rain" breathes between the crackles.

The post had a Mega link. The folder name: JT24_Vinyl_Repack.rar. The password: YouveGotAFriend.

Part 2: The Source

Alex downloaded the 1.8GB file. His fiber connection hummed. Inside: 12 tracks, each as a 24-bit/192kHz FLAC file. File sizes were massive—"Carolina in My Mind" was 280MB. But the jewel was a text file: rip_log.txt.

He opened it. This wasn't some amateur with a $50 USB turntable.

  • Turntable: Technics SP-10 MKII (a museum piece, direct-drive, 1978)
  • Cartridge: Ortofon 2M Black (a nude Shibata stylus—$700)
  • Phono Preamp: Graham Slee Accession (tube-driven)
  • ADC: RME ADI-2 Pro FS (clean as a surgical scalpel)
  • Vinyl Source: Warner Bros. Pressing, 1976, Terre Haute plant. Matrix: BS 2893 1A. "Vinyl cleaned with Ultrasonic Degritter, static eliminated with Zerostat."

The user who posted it—handle NeedleDropKing—had included a note:

"This isn't the remaster. This is the original analog master cut to lacquer in '76. No noise reduction. No digital limiting. You are hearing the tape as it touched the lathe. The click at 2:14 on 'Shower the People' is a piece of dust from 1976. I left it in. That's history."

Part 3: The Listening

It was 11 PM. Alex turned off his Wi-Fi, shut his laptop, and disconnected his phone. He opened Roon on his dedicated music server, routed the signal through a Chord Hugo TT2 DAC, and plugged in his Sennheiser HD 800 S headphones. Overkill? Absolutely. Necessary? To him, yes.

He queued track one: "Sweet Baby James."

The first second was silence. Then, a faint, low-frequency rumble—the wobble of a slightly off-center pressing. Then, a single pop. Then, James Taylor’s fingerpicking filled the room.

Alex’s breath caught.

The CD had always placed James’s voice in front of the speakers. Clinical. Sterile. This rip placed him inside the room. The fret squeaks were present, not suppressed. The reverb on the vocal—that famous '70s echo chamber—decayed into the noise floor like a sunset into the ocean.

On "Fire and Rain," he heard something he’d never heard in forty years of listening: a tiny thump from the bass player’s finger hitting the pickup. And on the fade-out, the faint sound of James inhaling.

This wasn't a recording. It was a photograph of a memory.

Part 4: The Controversy

Two weeks later, the post was gone. DMCA takedown. Warner Music Group’s automated bots had scrubbed it. But the damage—or salvation—was done. The JT24_Vinyl_Repack had propagated. It lived on private trackers, encrypted USB drives, and the hard drives of 5,000 audiophiles worldwide.

Then the debate erupted.

On the Steve Hoffman Music Forums—where mastering engineers and obsessives gather—a 47-page thread appeared.

Side A (Purists): "This is theft. James Taylor deserves his royalties. Buy the official CD."

Side B (Archivists): "The official CD is a brickwalled, dynamically compressed disaster from 1990. Warner refuses to release a proper high-res transfer of the original analog master. They left us no choice. We are preserving history."

Side C (Skeptics): "It's placebo. You can't hear 24-bit vs 16-bit. It's just crackle and nostalgia."

Alex didn't post. He just listened.

He compared the JT24 rip to the 2021 "HDtracks" 96/24 version. The HDtracks version was clean—too clean. The noise floor was a black void. The transients were rounded. It felt like a museum behind glass. The repack felt like a bar stool in 1976.

Part 5: The Truth

Six months later, NeedleDropKing revealed himself in a final post before deleting his account. He was a former mastering engineer for a major label, now retired.

"I was there in '76. I assisted on the cutting of that lacquer. When they reissued the 'Greatest Hits' on CD in 1990, they used a third-generation safety copy, not the master tape. The master was lost in the 2008 Universal fire. The only true analog copy of that mix is the first-pressing vinyl. My rip isn't piracy. It's a rescue mission. You're not listening to a file. You're listening to a ghost."

Alex sat in his chair, headphones around his neck. He looked at his shelf—the original 1976 vinyl he’d bought for $2 at a garage sale, warped and unplayable. He looked at his hard drive—the JT24_Vinyl_Repack.

He realized the search query wasn't just a string of technical terms: James Taylor, Greatest Hits, 24-bit, FLAC, vinyl, repack. James Taylor's Greatest Hits album, originally released in

It was a eulogy. A love letter to a sound that had no commercial future. A protest against planned obsolescence. A way of saying: This moment mattered. This recording was art. And I will not let the algorithms flatten it into ones and zeros.

He pressed play on "You've Got a Friend." The needle-drop crackle greeted him like an old friend. And for the first time in years, he didn't analyze the sound. He just listened to the song.

The Ultimate Listening Experience: James Taylor’s Greatest Hits 24-Bit FLAC Vinyl Repack

For audiophiles and casual fans alike, James Taylor’s music has always been a benchmark for high-quality production. His warm, mahogany voice and intricate fingerstyle guitar work demand a format that can capture every subtle nuance. Enter the James Taylor Greatest Hits 24-bit FLAC vinyl repack—a digital restoration that aims to bridge the gap between the tactile soul of analog vinyl and the crystalline precision of high-resolution digital audio. Why "Greatest Hits" Still Matters

Released originally in 1976, Greatest Hits is more than just a compilation; it is a definitive document of the "mellow seventies." With staples like "Fire and Rain," "You’ve Got a Friend," and "Carolina in My Mind," the album remains one of the best-selling records of all time.

However, many early digital transfers of this collection suffered from "thin" sound or tape hiss. The 24-bit FLAC repack fixes this by utilizing modern remastering techniques to preserve the dynamic range originally intended for the vinyl grooves. Breaking Down the Tech: 24-Bit FLAC vs. Standard Audio

When we talk about a 24-bit FLAC vinyl repack, we are looking at two specific quality markers:

24-Bit Resolution: While standard CDs operate at 16-bit, 24-bit audio provides a much lower noise floor and greater dynamic range. You hear the "breath" between the notes and the natural decay of the acoustic guitar strings.

FLAC (Free Lossless Audio Codec): Unlike MP3s, which strip away data to save space, FLAC is lossless. It compresses the file size without losing a single bit of audio data, making it the gold standard for archival listening. The "Vinyl Repack" Element

The term "repack" in this context usually refers to a digital capture specifically taken from a high-quality vinyl pressing—often a 180g heavyweight reissue or a Japanese "Pro-Use" pressing—rather than a standard digital master.

Fans of this format argue that "vinyl rips" at 24-bit/192kHz capture the specific harmonic distortion and warmth of the turntable preamp. It provides a listening experience that feels less "clinical" than a standard CD, offering a smoother high-end that is easier on the ears during long listening sessions.

This review evaluates the James Taylor Greatest Hits 2019/2020 "repack" editions, specifically focusing on the 180g Vinyl 24-bit FLAC high-resolution remasters. 💿 The Verdict: A Definitive Upgrade The 2019 remaster, overseen by original producer Peter Asher

, breathes new life into a Diamond-certified classic. While purists often chase "Hot Stamper" originals, this modern reissue offers a quiet, detailed, and punchy alternative that rivals the 1976 first pressings. 🔊 Sound Quality & Technical Specs The Remastering: Managed by Peter Asher and mastered by Bernie Grundman

(for the vinyl), the audio is notably "bigger" and more transparent than previous CD or standard digital versions. 24-bit FLAC Performance: The high-res files offer a Dynamic Range (DR)

that captures the subtle finger-picking of Taylor’s guitar and the warmth of his vocals without the "loudness war" compression. Vinyl Pressing: The 180g "repack" is generally praised for its low noise floor

and "sweet" acoustic detail, though some users reported occasional surface noise on specific pressings. ⭐ Key Highlights for Audiophiles The "Apple" Re-recordings: Includes the 1976 redone versions of "Carolina in My Mind" "Something in the Way She Moves" Unique Tracks: Features the definitive live version of "Steamroller," which remains a standout exclusive to this compilation. Sonic Presence:

Reviewers note a "wall-to-wall" soundstage where backing harmonies from Carole King Carly Simon are more distinct than ever. 🛒 Buying Guide

Here’s a structured feature set for a release post or product description for "James Taylor – Greatest Hits (24-bit FLAC – Vinyl Repack)":

🎧 Recommended For

  • Audiophiles seeking vinyl sound without physical playback
  • James Taylor fans wanting the warmest digital version of his hits
  • Collectors of high-res “vinyl-rip” repacks

The James Taylor's Greatest Hits (2019 Remaster) is the definitive high-resolution version you're likely looking for. This project, overseen by his longtime producer Peter Asher, provided the first major sonic overhaul of the 11-million-selling 1976 compilation. High-Resolution Digital Options (24-bit FLAC)

You can find the 2019 remaster in various high-definition digital formats, including 24-bit / 96 kHz and 24-bit / 192 kHz FLAC.

ProStudioMasters: Offers the album in both 96kHz and 192kHz 24-bit FLAC and AIFF formats.

Qobuz: Provides the 2019 remaster in 24-bit Hi-Res for download and streaming.

HighResAudio: Also stocks the 2019 Peter Asher-supervised remaster. Vinyl Reissue "Repack"

The physical counterpart to these high-res files is the 2020 vinyl reissue (often listed as the 2019 Remaster on LP).

Mastering Quality: Listeners on Discogs have praised this pressing for its "3D image" and "definitive instrument separation," with many noting that the mastering (often credited to Bernie Grundman in the run-out) is the best the album has ever sounded.

Key Features: This version is typically a 180g vinyl pressing and includes the 1976 redone versions of "Carolina in My Mind" and "Something in the Way She Moves".

Where to Buy: It is widely available at major retailers like Amazon and Target, as well as specialty shops like Music Direct. Notable Audiophile Alternatives James Taylor's Greatest Hits: CDs & Vinyl - Amazon.com

Part 5: Listening Test – What to Expect on a High-End System

Let’s put on the hypothetical headphones (Sennheiser HD 800 S) or speakers (KEF LS50 Wireless II). Load the 24-bit FLAC Vinyl Repack.

Track: "Fire and Rain"

  • The First Second: Listen for the lead-in groove. You hear the faint, steady crackle of vinyl before the music starts. This is not a defect; it is the signature of the repack.
  • The Guitar: In 24-bit, the steel-string guitar has a resonance and decay that 16-bit CD often truncates. The vinyl rip captures the wooden body of Taylor’s Olson guitar.
  • The Voice: Taylor’s voice cracks at 0:48 ("I walked on, crack, down the street"). On compressed streaming versions, this detail is masked. On the 24-bit vinyl repack, it is visceral. You feel the emotion.
  • The Dynamic Leap: When the strings and chorus enter at 1:46, the volume jumps. Modern masters flatten this. The vinyl repack preserves the shape of the song.

Track: "How Sweet It Is"

  • The Groove: Vinyl naturally rolls off extreme high frequencies. This is a good thing for this track. The cymbals in this song are often fatiguing on bright digital masters. The vinyl repack smooths them out, placing the rhythm section in a cohesive, warm space.

Technical Credits

  • Original recordings produced by: [names]
  • Remastering engineer: [name]
  • Vinyl cutting engineer: [name]
  • Vinyl pressing plant: [name]
  • Digital transfer engineer / ADC: [name & equipment model]
  • Artwork & layout: [designer name]
  • Project coordinator: [name]