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L'Eclisse (The Eclipse) — directed by Michelangelo Antonioni, 1962 — is a landmark of modernist cinema and the final film in Antonioni's loosely connected "alienation" trilogy (following L'Avventura and La Notte). This release presents the film in 1080p resolution, encoded with x264 and paired with DTS audio, under the Criterion Collection Blu-ray restoration.
For decades, L’Eclisse was a victim of its own visual language. Antonioni and his cinematographer Gianni Di Venanzo (who also shot Fellini’s 8½) employed deep focus, extreme high-contrast black-and-white, and a grain structure as fine as silver dust. Poor transfers resulted in:
The Criterion Collection’s 2014 4K restoration (sourced from the original camera negative) solved every issue. Here is what a proper 1080p encode from that master delivers. L-Eclisse.1962.1080p.Criterion.Bluray.DTS.x264-...
In the shadowy corners of cinema enthusiast forums, a specific string of text has achieved legendary status: L-Eclisse.1962.1080p.Criterion.Bluray.DTS.x264... To the uninitiated, it looks like gibberish. To the cinephile, it is a promise—a promise of purity, bitrate, and the closest approximation to seeing Michelangelo Antonioni’s masterpiece on a 35mm reel from 1962.
This article dissects why the 1080p Criterion Blu-ray encode (specifically the DTS x264 rip) is the definitive way to experience Antonioni’s haunting meditation on modernity, alienation, and the end of romance. Crushed blacks (losing detail in the stock exchange’s
Antonioni and cinematographer Gianni Di Venanzo utilize "dead space" more effectively than perhaps any other filmmakers. Characters are often placed at the very edges of the frame, leaving vast, empty spaces in the center or background. This visual technique externalizes their internal loneliness and the "absence" that permeates the film.
The file extension indicates a rip from the Criterion Collection Blu-ray. This specific transfer is critical for appreciating the film. haunting meditation on love
Why not 4K? While a 4K UHD exists for this title, the 1080p encode holds a special place for archivists. It offers a native 1.85:1 aspect ratio without upscaling artifacts on standard projectors. At 1080p, the fine details of Gianni Di Venanzo’s cinematography (the high-contrast Roman architecture, the reflective glass of the EUR district) resolve perfectly on a 120-inch screen.
L'Eclisse (1962) — Criterion Collection Blu-ray (1080p, DTS, x264)
Michelangelo Antonioni’s L'Eclisse completes his acclaimed trilogy of alienation with a spare, haunting meditation on love, commerce, and the modern city. Monica Vitti gives a luminous, inscrutable performance as Vittoria, a young woman drifting through an urban landscape of glass and steel after leaving a relationship. Alain Delon is quietly magnetic as Riccardo, a stockbroker whose emotional distance mirrors the cold geometry of his surroundings. Antonioni’s deliberate pacing, long takes, and precise compositions transform everyday spaces into sites of existential unease.
This Criterion Blu-ray presents a meticulous 1080p restoration encoded in x264, paired with a high-fidelity DTS audio track, preserving the film’s fragile tonalities and visual subtleties. Essential special features include scholarly commentary and archival material that illuminate Antonioni’s process and the film’s enduring influence. A must-have for cinephiles and collectors, this edition offers the definitive home-video experience of one of modern cinema’s masterpieces.