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Informe: La península de las casas vacía — David Uclés
1. Identificación y metadatos
- Título: La península de las casas vacía
- Autor: David Uclés
- Formato consultado: epub (solicitado enlace)
- Fecha del informe: 9 de abril de 2026
5. Valor literario y público objetivo
- Valor: Interés para lectores de narrativa contemporánea que aprecian la prosa atmosférica y los relatos sobre espacio, memoria y comunidad.
- Público: Adultos y jóvenes adultos con gusto por la literatura española contemporánea y relatos costeros/ruinosos.
Paper Title
Ghostly Geographies: Memory, Ruin, and Rural Depopulation in David Uclés’ La península de las casas vacías
6. References (sample)
- Uclés, David. La península de las casas vacías. [Publisher, Year].
- del Molino, Sergio. La España vacía. Turner, 2016.
- García, Paco. Geografías del abandono. Trea, 2019.
- Foucault, Michel. “Of Other Spaces.” Diacritics, 1986.
Possible Sources:
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Author's Personal Website or Blog: Sometimes, authors publish their works on their personal websites or blogs. You might want to search for David Ucles's official website or any platform where he publishes his work. Informe: La península de las casas vacía —
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Abstract
This paper analyzes David Uclés’ novel La península de las casas vacías (2024) as a literary cartography of Spain’s emptied rural interior. Through a blend of historical reflection, supernatural atmosphere, and ecological awareness, Uclés explores how abandoned houses and depopulated villages become repositories of collective memory and trauma. The study examines the novel’s representation of spatial decay, the return of repressed histories (particularly the Spanish Civil War and postwar repression), and the ambiguous hope found in ruins.
1. Introduction
La península de las casas vacías (translated as The Peninsula of Empty Houses) follows a narrator who travels through the depopulated regions of Spain—especially Teruel, Soria, and Cuenca—documenting empty villages. The book blends travelogue, essay, and fiction, creating what Uclés calls “geological literature.” This paper argues that the novel uses emptiness not as absence but as presence: the houses speak, the land remembers, and the forgotten dead return as spectral witnesses.