A cross platform, customizable graphical frontend for launching emulators and managing your game collection.
A cross platform, customizable graphical frontend for launching emulators and managing your game collection.
Pegasus is a graphical frontend for browsing your game library (especially retro games) and launching them from one place. It's focusing on customizability, cross platform support (including embedded devices) and high performance.
Instead of launching different games with different emulators one by one manually, you can add them to Pegasus and launch the games from a friendly graphical screen from your couch. You can add all kinds of artworks, metadata or video previews for each game to make it look even better!
With additional themes, you can completely change everything that is on the screen. Add or remove UI elements, menu screens, whatever. Want to make it look like Kodi? Steam? Any other launcher? No problem. You can add animations and effects, 3D scenes, or even run your custom shader code.
Pegasus can run on Linux, Windows, Mac, Raspberry Pi, Odroid and Android devices. It's compatible with EmulationStation metadata and gamelist files, and instantly recognizes your Steam games!
Ore ga Mita Koto no Nai Kanojo (often localized as A Woman Like I'd Never Seen Before) is primarily a digital-first adult manga series. While the "Colored Portable" version is popular for mobile and digital reading, finding a physical paper copy is difficult due to its distribution model. Availability of Paper Versions
Limited Physical Releases: Most versions of this title, especially the full-color editions, are produced by digital-focused circles or creators like HKappa on Patreon, who specialize in digital "Full Color" content.
Doujinshi vs. Tankobon: If a paper version exists, it is likely a limited-run doujinshi (self-published) sold at Japanese events like Comiket, rather than a mass-produced "Tankobon" found in standard bookstores.
Language Barrier: Physical copies are almost exclusively in Japanese. English "paper" versions are generally not officially printed; western fans typically access these through digital platforms. Where to Look
If you are determined to find a physical copy, you should search Japanese secondary markets for the artist Shinozuka Yuuji (篠塚裕志):
Surugaya: A major retailer for second-hand manga and doujinshi.
Mandarake: Specializes in rare and out-of-print adult titles.
Booth.pm: Sometimes creators sell leftover physical stock from conventions here. A Woman Like I'd Never Seen Before - Shinozuka Yuuji - 01
Ore ga Mita Koto no Nai Kanojo: Colored Portable is more than just a typical dating sim. It is a narrative experiment about perception and the nature of attraction. By stripping the protagonist of his ability to see the object of his affection, the game forces the player to fall in love with the characters' souls rather than their sprites. For fans of the genre, it offers a surprisingly touching experience that stands out in the vast library of PSP visual novels. ore ga mita koto no nai kanojo colored portable
Title: The Girl I’d Never Seen: Colored Portable
Logline: A high school boy who sees the world in grayscale finds a mysterious, broken portable game console. When he turns it on, the girl inside is the first thing—the only thing—that appears in full, living color.
The console had a feature Kaito hadn't noticed: a tiny, recessed touch sensor on the back. When he pressed it, the screen rippled like water.
"You can reach in," Aoi whispered. "But only once. The battery is dying. The capacitor can only handle one full-immersion touch."
Kaito hesitated. If he touched her—if he crossed that digital boundary—what would happen? Would he feel skin? Warmth? Or just cold plastic and broken pixels?
One evening, sitting alone on his rooftop, the sunset painting his gray world in… well, more gray… he made up his mind.
He pressed the sensor.
The screen flared white. And suddenly, his hand—his real, physical hand—sank into the console. Not through it. Into it. Ore ga Mita Koto no Nai Kanojo (often
He felt grass. Cold, dew-damp grass. Then fingers. Small, warm, trembling fingers wrapping around his own.
When he opened his eyes, he was no longer on his roof.
He was on the gray beach from her world. And she was standing in front of him. Her chestnut hair moved in a real breeze. Her amber eyes were wet with tears.
"You're warm," she whispered.
He looked down at his own hand. For the first time ever, he saw his own skin—not as gray, but as a living, breathing peach-tone. The world behind her remained monochrome. But she was a rainbow. And so was he.
They had three hours. That was the battery life remaining.
They didn't talk much. They walked along the gray shoreline. He described colors to her—red, blue, yellow, green—and she laughed, saying she'd always imagined green as the sound of wind through leaves. They sat on a broken pier. She rested her head on his shoulder. He watched her hair catch imaginary sunlight.
"When the battery dies," she said quietly, "I won't disappear. I'll just… go back to being a grayscale puppet. But you. You'll go back to your world. And you'll still see no color." Title: The Girl I’d Never Seen: Colored Portable
He was quiet for a long time.
Then he took the console out of his pocket—the real console, which had appeared in his hand when he crossed over—and looked at its cracked screen. The battery bar was blinking red.
"What if I stay?" he asked.
She lifted her head. "You'd be trapped. In a gray, dying digital world. With only me."
He smiled. It was the first time he'd ever smiled without needing to imagine the color of it.
"Then for the first time," he said, "I'd see something other than gray. I'd see you."
She kissed him. Her lips were the color of sakura in spring—a pink he'd only ever read about.
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A what-if scenario where Yuki is fully colored from the start, but Kaito is rendered in grayscale. It flips the perspective: Yuki is the one who cannot "see" Kaito’s true feelings. It’s a heartbreaking mirror that recontextualizes the main plot.
