Run Dmc Jason Nevins Its Like That Raxon E Repack ((full)) -

The evolution of Run-D.M.C.'s classic "It's Like That" represents a unique timeline in music history, spanning from the birth of hip-hop to the modern techno scene. The recent emergence of the Raxon Edit (often referred to in "repack" circles as the Raxon E version) marks the latest chapter for a track that has consistently redefined itself across decades. The Hip-Hop Blueprint (1983)

The journey began on March 12, 1983, with the release of the original "It's Like That" by Run-D.M.C.. Produced by Larry Smith and Russell Simmons, the song was a landmark debut for the trio from Hollis, Queens. Unlike the party-centric rap of the era, it offered a gritty, cynical look at societal struggles—unemployment, disillusionment, and the harsh realities of life. With its stark Oberheim DMX drum machine beat and aggressive, trading-off vocals, it became the foundation of "new school" hip-hop. The Global Dance Phenomenon (1997-1998)

In 1997, house producer Jason Nevins reimagined the track for a new generation. By fusing the original vocals with a relentless, high-energy house beat, Nevins created the definitive "hip-house" anthem.

Commercial Success: The remix was a massive sleeper hit, eventually selling over 5 million copies worldwide.

Chart Dominance: It spent six weeks at #1 in the UK, famously keeping the Spice Girls' "Stop" from the top spot, and reached #1 in over 30 countries.

Cultural Impact: The music video, featuring a male vs. female breakdance battle in downtown Los Angeles, became an iconic visual for the late-90s dance scene. The Modern Resurgence: The Raxon E Edit

Fast forward to the 2020s, and the track has found its way into the crates of elite techno and progressive house DJs. The most prominent modern version is the Raxon Edit (frequently searched as "Raxon E").

The Artist: Raxon (Ahmed Dawoud), an Egyptian-born, Barcelona-based producer known for his deep, architectural techno sound on labels like Kompakt and Ellum Audio.

The Sound: Raxon’s "repack" or edit strips away the 90s house flair, replacing it with driving, atmospheric techno textures and a darker, "unreleased" club energy.

Availability: While the Nevins remix is a staple on Spotify, the Raxon Edit has largely circulated through SoundCloud and DJ sets, maintaining a sought-after underground status.

From the streets of 1980s New York to the global pop charts of the 90s and today’s premier techno stages, "It's Like That" remains a timeless testament to the power of a great vocal and a relentless beat. Run-D.M.C. vs. Jason Nevins: It's Like That - IMDb

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Throwback: Run–DMC vs. Jason Nevins – "It's Like That" (Raxon E Repack)

Sometimes a classic doesn’t need a remake — it needs a reload. That’s exactly what the Raxon E Repack of Run–DMC and Jason Nevins’ legendary “It’s Like That” delivers.

Originally, Jason Nevins took Run–DMC’s 1983 B-side and turned it into a stadium-sized house anthem in 1997 — all pounding kicks, filtered loops, and that unforgettable “unh!”. Now, Raxon E steps in with a Repack that sharpens the edges for modern floors.

Think: tightened low-end, crisp percussion, and a structure that keeps the original tension while giving DJs room to breathe. The call-and-response (“It’s like that — that’s the way it is!”) still hits like a freight train, but the repack adds just enough groove to bridge golden-era hip hop and today’s tech house.

Why it works:

Respects the original – no chopped vocal mess.
Club-ready dynamics – drops breathe right.
Nostalgia + freshness – familiar but not dated.

If you’re spinning breaks, electro, or peak-time house, this one’s a weapon. Raxon E didn’t reinvent the wheel — they just put new rubber on it.

Rating: 🔥 8.5/10
For fans of: 90s house, breakbeat, Run–DMC reworks.

The Evolution of a Classic: Run-D.M.C. vs. Jason Nevins – "It's Like That" (Raxon Edit) The legacy of Run-D.M.C.’s 1983 debut single, "It's Like That,"

has undergone several seismic shifts in the music world, most notably its 1997 transformation into a global house anthem by Jason Nevins. Decades later, this cross-genre classic continues to find new life through the lens of modern techno, specifically through the sought-after Raxon Edit From Queens to the Global Dancefloor

Originally released as a gritty hip-hop track by Run-D.M.C., the song's trajectory changed forever in late 1997 when DJ Jason Nevins infused it with an energetic house beat. This remix became a massive commercial success, topping charts internationally and reintroducing the group to a new generation of listeners. The Raxon Edit: A New Chapter In recent years, the Raxon Edit

(often referred to in club circles as the "Raxon E Repack") has emerged as a high-demand "ID" in the electronic music scene. Artist Profile:

Raxon is known for his sophisticated, melodic techno sound, often associated with labels like Ellum Audio The Sound:

This edit strips away some of the 90s house sheen, replacing it with a driving, driving techno pulse and atmospheric textures that fit seamlessly into modern peak-time sets. Availability: Currently, the Raxon Edit remains largely an unreleased

gem, frequently surfacing in playlists titled "Unreleased Essentials" or "ID Junkie" on platforms like SoundCloud Why It Still Hits

The enduring popularity of "It's Like That" lies in its timeless vocal hook. Whether it's the original 1983 hip-hop version, the 1997 chart-topping remix, or Raxon's contemporary techno repack, the message and rhythm continue to bridge the gap between hip-hop history and modern dance music. similar classic hip-hop remixes for your playlist? Run DMC vs. Jason Nevins - It's Like That (Raxon Edit) run dmc jason nevins its like that raxon e repack

Stream Run DMC vs. Jason Nevins - It's Like That (Raxon Edit) by IDJunkie | Listen online for free on SoundCloud. SoundCloud Run DMC vs. Jason Nevins - It's Like That (Raxon Edit)

Stream Run DMC vs. Jason Nevins - It's Like That (Raxon Edit) by IDJunkie | Listen online for free on SoundCloud. SoundCloud

Run-D.M.C. vs. Jason Nevins - It's Like That (Raxon Edit) is a modernized techno rework of the iconic 1997 remix. It is frequently cited as a high-energy "dancefloor hit" that maintains the recognizable vocals of the original while adding hypnotic, pulsating beats suitable for modern club sets. Review Summary Reviewers and fans generally view the Raxon Edit

as a successful bridge between 90s nostalgia and contemporary techno: Production Style

: It features a "hypnotic" and deep layer of beats that modernize the track for today's dancefloors.

: The edit has gained significant traction in the underground scene, with prominent DJs like Sven Väth Maceo Plex playing it at major events like Key Elements

: It retains the "It's like that, and that's the way it is" vocal hook that made the 1997 version a global chart-topper, but strips back some of the pop-house elements in favor of a harder, more rhythmic techno drive. SoundCloud Comparison to Previous Versions Original (1983) Jason Nevins Remix (1997) Raxon Edit (2023/2024) Old-school Hip Hop Hip House / Electronic Techno / Hard Techno Social commentary, cynical Pop-friendly, "sledgehammer" beat Hypnotic, club-oriented Debut single for Run-D.M.C. Global #1 hit; ended Spice Girls streak Modern club "secret weapon" this specific edit or see a of other modern techno remixes of 90s classics? Run-D.M.C. - IMDb

The transition of Run-DMC’s "It’s Like That" from a gritty 1983 social commentary to Jason Nevins

’ 1997 chart-topping house anthem, and eventually into the contemporary "Raxon Edit" (often referred to as the Raxon E Repack in niche circles), represents a fascinating evolution of urban fatalism into global club escapism. 1. The Foundation: Urban Realism (1983)

The original track by Run-DMC was a landmark of "new-school" hip hop. Produced by Larry Smith, it featured a minimalist, abrasive sound driven by an Oberheim DMX synthesizer.

The Message: Lyrically, it addressed the harsh realities of Hollis, Queens—unemployment, rising prices, and death.

The Irony: The refrain, "It’s like that, and that’s the way it is," was a heavy-handed acknowledgement of systemic struggle, yet the song maintained a hopeful undercurrent, urging listeners to "abandon prejudice" and believe in themselves. 2. The Transformation: Global House (1997)

In 1997, house producer Jason Nevins reimagined the track for a new generation, creating a "sleeper hit" that eventually sold five million copies.

A Shift in Tone: Nevins replaced the stark, bunker-like beat of the original with a high-energy house rhythm. Critics noted that while this version made the song an international phenomenon—topping charts in 30 countries—it somewhat muffled the original MCs’ inflections and the grim "relish" of their storytelling.

Visual Impact: The accompanying music video, featuring male versus female breakdance crews in downtown LA, solidified the track's status as a cross-cultural bridge between old-school hip hop and modern dance culture. 3. The Re-interpretation: The Raxon Edit

The "Raxon Edit" (or Repack) brings the track into the modern techno and melodic house sphere. Raxon, an artist frequently associated with labels like Drumcode and Ellum, strips the song back down to its functional essentials for a dark, club-focused environment.

Atmospheric Tension: Where Nevins sought pop accessibility, Raxon emphasizes the rhythmic "hook" and the iconic vocal samples within a more brooding, warehouse-ready framework.

Contemporary Relevance: This version has seen "heavy rotation" from techno heavyweights like Adam Beyer and Maceo Plex, proving that the 1983 message of social fatalism still finds a home in the repetitive, hypnotic cycles of modern electronic music.

Ultimately, this lineage shows how a song about 1980s economic hardship survived by shedding its specificity for the sake of the beat. The "Raxon E Repack" is the latest chapter in that survival, turning a cry of social frustration into a tool for the dancefloor's collective trance.

The fusion of old-school hip-hop grit with cutting-edge techno precision has reached a new peak with the Raxon Edit of the legendary Run-DMC vs. Jason Nevins

anthem, "It's Like That." This unreleased "e-repack"—a term often used for exclusive digital edits or modern club re-packages—is currently a staple in heavyweight sets from titans like Adam Beyer Maceo Plex , and Sven Vath The Evolution of a Classic: From 1983 to the Techno Age

To understand the power of this new edit, you have to look back at the track's DNA. "It's Like That" originally dropped in 1983 as

's debut single, marked by its raw, socially conscious lyrics and stripped-down beats. In 1997, house DJ Jason Nevins

"house-ified" it, turning it into a global club phenomenon that sold over 5 million copies and introduced the group to a new generation. Now, Egyptian-born, Barcelona-based producer —known for his precision-tooled techno on labels like

—has stripped away the 90s polish to reveal something much darker and more driving. Why the Raxon Edit Hits Different

While the Jason Nevins version leaned into high-energy house, Raxon’s "repack" reimagines the vocal for the modern warehouse: The Rhythmic Shift The evolution of Run-D

: Raxon replaces the classic 90s breakbeat feel with a relentless, vibrating techno pulse. The Vocal Tension

: By looping the iconic "It's Like That" refrain over dark, brooding synths, he creates a hypnotic atmosphere that works as well at a festival like Ultra Santiago as it does in an intimate club. Exclusive Appeal : As an unreleased SoundCloud gem

, the edit carries that "if you know, you know" energy that DJs love to keep in their secret arsenal. The Verdict: A Bridge Between Eras

Run-DMC once used this track to prove hip-hop didn't need a live band—just "two MCs and a DJ". Raxon’s edit proves that the same raw energy can be translated into the language of modern techno. Whether you’re a fan of the 80s original or the 90s dance floor filler, this "e-repack" is a masterclass in how to respect the past while propelling it into the future. Are you looking to find where to stream this specific edit or more of Raxon’s recent techno releases

2. The Modern Mashup

Use the isolated acapella. Pitch it down -2 semitones. Layer it over a 140 BPM drill beat with a sliding 808 bass. Suddenly, It's Like That becomes a 2024 street anthem.

Part 1: The Original Monster – Run DMC’s "It’s Like That"

Before the remix, there was the source. In 1983, Run-D.M.C.—the game-changing trio from Hollis, Queens—released "It's Like That" as a B-side to "Sucker M.C.'s." Produced by the visionary Larry Smith and Russell Simmons, the track was minimalist fury. Over a stark, electronic beat (using a Roland TR-808 drum machine) and a simple, repeating piano line, Run (Joseph Simmons) and D.M.C. (Darryl McDaniels) delivered a proto-rap sermon about economic disparity, social struggle, and resilience.

Legacy: The track is considered a cornerstone of golden-age hip-hop.
Sound: Stripped down, aggressive, and devoid of the disco samples that dominated early rap.
Lyrical theme: "Unemployment at a record high / People coming, people going, people born to die."

It was a hit, but it was a hip-hop hit—confined largely to urban radio and college stations. That would change fourteen years later.

Recommended Listening Tips

Play the original (1983) first to appreciate the contrast.
Follow with Jason Nevins’s classic remix for nostalgia and dancefloor energy.
Finish with the Raxon E Repack to hear contemporary production updates and DJ-friendly dynamics.

(Note: If you want a short timestamped DJ cue sheet or a comparison table of the three versions, tell me which versions you have and I’ll produce it.)

The Run-DMC vs. Jason Nevins remix of "It's Like That" remains one of the most transformative moments in music history, bridging the gap between old-school hip-hop and late-90s house music. Originally released in 1983 as Run-DMC’s debut single, the 1997 remix by DJ Jason Nevins turned a street anthem into a global club phenomenon that sold over five million copies. The Evolution of a Classic

The Original (1983): A stark, hard-hitting track that established Run-DMC as pioneers of the "new school" of hip-hop. The Nevins Remix (1997):

Jason Nevins replaced the original beat with a crunching, four-on-the-floor house rhythm, catapulting the track to #1 across Europe and the UK in 1998.

Raxon Edit (2024): Keeping the spirit alive for modern dance floors, artist

released an edit on SoundCloud that provides a stripped-back, techno-infused take on the iconic vocals. Who is Raxon?

Raxon is an Egyptian-born, Barcelona-based producer known for his precision-tooled techno. His recent work often focuses on darker, hypnotic soundscapes, as seen in his debut album Sound Of Mind on Kompakt and his 2024 album USWATT on DSK Records. Why This Repack Matters

The "Raxon E Repack" (often referred to as the Raxon Edit) highlights how the lyrics of "It's Like That"—which tackle themes of social struggle and self-reliance—remain relevant across generations and genres. By bringing a 1983 vocal into a 2024 techno framework, Raxon ensures that the "Devastating Mic Controllers" continue to influence the next wave of electronic music fans. Run DMC vs. Jason Nevins - It's Like That (Raxon Edit)

Stream Run DMC vs. Jason Nevins - It's Like That (Raxon Edit) by IDJunkie | Listen online for free on SoundCloud. SoundCloud·IDJunkie It's Like That - Run DMC Vs. Jason Nevins - Spotify

This piece explores the resurgence of the Run-DMC vs. Jason Nevins classic through the lens of modern techno. The Return of a Dancefloor Anthem

The legendary collaboration Run-DMC vs. Jason Nevins – It’s Like That has received a fresh, hypnotic makeover by techno artist

. Originally a 1983 hip-hop debut, the track became a global phenomenon in 1997 when Jason Nevins infused it with a house beat. Now, Raxon’s "Edit" (often referred to in digital circles as a "repack" or unreleased essential) brings the 90s anthem into the modern era. Key Elements of the Raxon Edit

Raxon, known for his stripped-back and driving sound on platforms like Beatportal, reimagines the track with:

Hypnotic Techno Foundation: It swaps the 97 house bounce for a deeper, more atmospheric techno pulse.

Iconic Vocals: The unmistakable "It's like that, and that's the way it is" vocal remains the centerpiece, maintaining the track's original energy.

Club Utility: Frequent play by heavyweight DJs like Maceo Plex and Sven Väth has turned this unreleased edit into a highly sought-after weapon for peak-time sets. Why "Repack"? Run DMC vs. Jason Nevins - It's Like That (Raxon Edit)

Here’s a story blending Run-DMC’s iconic track “It’s Like That” (in its Jason Nevins remix energy) with a fictionalized “Raxon E Repack” — think of it as a lost, high-voltage remix EP from an alternate timeline.

Title: The Raxon E Repack: It’s Like That (Jason Nevins HardDrive Mix)

Logline: In 1998, a burnt-out record store clerk discovers a forgotten DAT tape labeled “Raxon E Repack” — a ghost-produced, never-released remix of Run-DMC’s “It’s Like That” by Jason Nevins — and must protect it from a ruthless A&R man who will do anything to bury the past. Throwback: Run–DMC vs

The Story

It was 3 a.m. in the sub-basement of Vinyl Vengeance, a crumbling New York shop that smelled of mold, broken needles, and broken dreams. Leo “Deckwreck” Hernandez was supposed to be cataloguing dead stock. Instead, he found a shoe box behind a water-damaged crate of 12-inches. Inside: a single DAT tape, handwritten in silver Sharpie:

Raxon E Repack
It’s Like That (Jason Nevins HardDrive Mix)
(DO NOT RELEASE – CONFIDENTIAL)

Leo knew the legend. In ’97, Jason Nevins had already flipped “It’s Like That” into a global house anthem. But before the official version, there was the Raxon E Repack — a session where Nevins, under a pseudonym, stripped the track to its bones. He replaced the beat with a glitching, industrial-locomotive rhythm. He ran Rev Run’s “Unemployment at a record high” through a blown guitar amp. He added a hidden third verse from D.M.C. that never made any album — something about digital ghosts and “repackaged souls.”

The label killed it. Said it was too dark. Too fast. Too dangerous for radio.

Leo slid the DAT into the shop’s ancient player. The first snare hit sounded like a car door slamming in an empty warehouse. Then Jason’s signature filter sweep — but corrupted, bleeding red. Then D.M.C.’s voice, slowed then sped up:

“People talkin’ but they just inventin’ / Repack the truth, now the whole world’s bent in…”

It wasn’t a remix. It was a warning.

Before the second verse dropped, the lights flickered. The front door shattered inward. A man in an expensive leather trench coat stepped through the wreckage — Marcus Vex, a legendary A&R fixer known for “erasing mistakes.” He didn’t work for a label anymore. He worked for whoever wanted the past rewritten.

“That tape,” Vex said, brushing glass off his sleeve. “It’s like that, Leo. And by ‘that,’ I mean it never existed.”

Leo grabbed the DAT and ran — through the stockroom, up the fire escape, onto the rain-slicked roof of the Lower East Side. Vex’s men swarmed below. Leo’s only weapon: a portable DAT walkman and a pair of Sony MDR-V6 headphones.

He pressed play. The HardDrive Mix kicked in at 128 BPM, but the tempo wasn’t steady — it hunted. Every kick drum synced with his fleeing heartbeat. As Leo leapt from rooftop to rooftop, the track remixed reality: traffic lights pulsed to the bassline, neon signs flickered Run-DMC lyrics, and for one insane moment, the skyline spelled RAXON E REPACK in broken LEDs.

Vex caught up on the 14th floor of a parking garage. “That mix changes the ownership of the song,” he snarled. “Too much truth in the B-sides.”

Leo held the DAT over the edge. “Then let it fall like a bad single.”

Vex lunged. Leo dropped the tape.

It didn’t fall. It hovered — spinning like a phantom 45 — then shot skyward, dissolving into a million data particles that rained over the city as static. Every boombox, car stereo, and Walkman within a mile crackled to life, playing the Raxon E Repack for exactly 2 minutes and 17 seconds. Then silence.

The next morning, the official “It’s Like That” remix was #1 again. But if you listened close — between the radio edits — you could still hear it: a ghost snare, a buried D.M.C. growl, the faint hiss of a repack that refused to stay packed.

Leo opened the shop at noon. On the counter, a new DAT tape. Silver Sharpie.

RAXON F REPACK
“You Talk Too Much” (Jason Nevins Lost SubMIX)

He smiled. The fight wasn’t over. It was like that — and that’s the way it went.

End credits track: Run-DMC vs. Jason Nevins – “It’s Like That” (Raxon E Repack – Live from the Rooftops)

Run-DMC vs. Jason Nevins – It’s Like That (Raxon E Repack): A Modern Spin on a Hip-House Anthem

Few tracks have bridged the gap between golden-era hip-hop and 90s house music as seamlessly as It’s Like That by Run-DMC vs. Jason Nevins. Originally released in 1997 (peaking in 1998), the track became a global smash, introducing a new generation to Run-DMC’s 1983 classic. Fast forward to the modern electronic underground, and the track has found new life once again—this time through the lens of French DJ/producer Raxon E, whose “Repack” breathes fresh, club-ready energy into the iconic record.

Why Remixes Matter

Remixes breathe new life into recordings. They:

Bridge generations: younger listeners discover the roots; older fans appreciate reinterpretation.
Cross genres: a single song becomes accessible to multiple scenes (hip‑hop, house, big‑beat, EDM).
Extend cultural relevance: hits reemerge in clubs, playlists, and viral moments.

Jason Nevins’s remix demonstrates that respectful reinvention can expand an artist’s cultural footprint without diluting the original’s message. Fan repacks like Raxon E operate in the same spirit — playful, reverent, and experimental.

Final Thought

“It’s Like That” proves a great song is not fixed — it’s a template. From Run‑DMC’s streetwise original to Jason Nevins’s global club makeover and the inventive Raxon E repacks, the track’s evolution is a small history of how music moves between communities, technologies, and eras. Each version speaks to a different crowd, but all keep the original’s defiant heart.

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3. Extended Breakdowns

The Repack adds a dramatic, synth-driven breakdown around the middle of the track, stripping away the beat to leave only the acapella and a haunting pad. This creates a peak-time moment on the dancefloor, leading into a bass-heavy drop that re-energizes the room.