Suicideboys Discography ((free)) Today
The discography of the New Orleans duo uicideboyu i c i d e b o y
(comprised of cousins Ruby da Cherry and $crim) is one of the most prolific in modern underground hip-hop. Since their formation in 2014, they have released several studio albums and dozens of sagas and EPs, most of which are self-produced under $crim’s pseudonym, Budd Dwyer. Studio Albums
Their studio albums often mark significant shifts in their sound and commercial success:
I Want to Die in New Orleans (2018): Their debut studio album, which reached the top 10 on the Billboard 200.
Long Term Effects of Suffering (2021): A successful follow-up that continued their exploration of themes like drug addiction and depression.
Sing Me a Lullaby, My Sweet Temptation (2022): Further solidified their mainstream presence.
New World Depression (2024): Their most recent major studio release. The "Kill Yourself" Sagas
A cornerstone of their early career is the Kill Yourself series. These are short, themed EPs (often containing three tracks) that they released in rapid succession.
The Early Sagas (I–X): Released primarily in 2014 and 2015, establishing their "dark trap" and Memphis-inspired sound.
The Later Sagas (XI–XX): Released in 2017, featuring more refined production and experimental structures. Mixtapes and EPs
The duo released a massive wave of mixtapes between 2015 and 2017 that defined their "SoundCloud era": Gray/Grey (2015) 7th or St. Tammany (2015) My Liver Will Handle What My Heart Can't (2015)
Eternal Grey (2016): Often cited by fans as one of their most iconic underground projects.
Radical $uicide (2016): Produced entirely by Getter, featuring the hit song "Memoirs of a Gorilla." Collaborative Projects G.R.E.Y.G.O.D.S. Series: Collaborations with Ramirez. DIRTIESTNASTIEST$UICIDE: A trilogy of EPs with Germ.
Live Fast, Die Whenever: A hardcore punk-influenced EP with Travis Barker. Shameless $uicide: A 2023 collaboration EP with Shakewell. Solo Discography
Both members have released solo work under various monikers:
$crim: Released the solo album A Man Rose from the Dead (2020) and Lonely Boy (2024).
Ruby da Cherry: Released the punk/emo-influenced album tragic love songs to self-destruct to (2023) under the name DUCKBOY. Suicideboys Discography
Part 3: The Seven Sagas of the "Eternal Grey" (2017) – The Artistic Peak
Many critics argue that 2017’s Eternal Grey is the duo's magnum opus before they discovered radio-friendly hooks. It is a 13-track cohesive album that plays like a noir film soundtrack for the clinically depressed.
Why Eternal Grey matters:
- Production: $crim samples everything from obscure Romanian choirs to broken Nintendo cartridges.
- Lyricism: Ruby da Cherry delivers his most vivid poetry. Tracks like Razor III and Mount Sinai detail the physical collapse of their bodies due to Xanax and lean addiction.
- Legacy: It spawned the tour that sold out legendary venues like The Tabernacle.
Additional 2017 releases:
- Dirty Nasty $uicide (with Germ) – A fan favorite for those who love the "trashy, loud" side of G59.
- Kill Yourself X: The Resurrection Saga – A return to the KYS well that gave us 1983 and Nicotine Patches.
Grey or Pay: Dissecting the Chaotic Discography of $uicideboy$
In an era where streaming algorithms favor polished hooks and radio-friendly lengths, $uicideboy$ built a pyramid of filth, faith, and fury from the gutters of New Orleans’ 7th Ward. Since 2014, the cousins have released a staggering volume of work—over 60 projects—without ever signing to a major label. What emerges from the noise is not just a discography, but a sprawling, serialized autopsy of addiction, trauma, and Southern Gothic nihilism.
Here is the essential guide to the Grey*$*eason.
The "Kill Your$elf" Saga (2014–2015): The Raw Sewage
The foundation was laid not with an album, but with a monthly EP series. The Kill Your$elf (abbreviated KYS) saga consists of 20 EPs, each running 15-20 minutes. These are not for the faint of heart. Produced almost entirely by Scrim (under his alter-ego $crim), the sound is lo-fi Memphis horrorcore—chopped, screwed, and slathered in 808s that sound like they are melting.
Key entry point: KYS Part III: The Budd Dwyer Saga (featuring the viral “Kill Yourself (Part III)”). It’s here they perfected the formula: Ruby’s frantic, pitched-up screeching versus Scrim’s monotone, codeine-drenched drawl.
Conclusion: The Grey Legacy
The $uicideboy$ discography is a monument to survival. It begins with two junkies screaming into a $50 microphone about wanting to die, and it evolves into two sober businessmen sampling their own past trauma for profit. But it never feels fake. Unlike many rap artists who "get happy" once they sign a deal, Ruby and Scrim simply traded the grim reaper for a steady heartbeat.
To listen chronologically is to hear a flatline become a pulse. Grey 59 for life.
Stream the full $uicideboy$ discography on Spotify, Apple Music, or via the G59 Records official store.*
The Complete Guide to the uicideboyu i c i d e b o y Discography: A Journey Through the Underground The uicideboyu i c i d e b o y
discography is one of the most prolific and unique catalogs in modern hip-hop. Emerging from New Orleans, the duo—composed of cousins Ruby da Cherry and $crim—has built an empire on raw, dark, and uncompromising soundscapes. With over 40 projects ranging from EPs to studio albums, navigating their musical history is like diving into a deep, visceral exploration of mental health, addiction, and the occult. The Early Years: The Kill Your$elf Sagas The foundation of the uicideboyu i c i d e b o y
discography lies in their massive series of EPs known as the Kill Your$elf Sagas. Beginning in 2014, these short-form projects allowed the duo to experiment with their sound, blending Memphis horrorcore influences with modern trap. The Foundation: Early sagas like The uicideu i c i d e aga and The Black uedeu e d e aga introduced their signature "dark trap" aesthetic.
Rapid Production: Between 2014 and 2017, they released twenty parts of this series, each featuring distinct artwork and thematic shifts, which helped them build a cult following on platforms like SoundCloud. Breakthrough EPs and Collaborative Projects
Before transitioning to full-length studio albums, the duo released several standout EPs that defined their mid-career peak.
Radical $uicide (2016): Produced entirely by Getter, this EP bridged the gap between underground rap and EDM/dubstep fans, featuring the hit "Memoirs of a Gorilla." The discography of the New Orleans duo uicideboyu
The Dirtier Na$tier $uicide Series: Collaborations with Germ showcased a higher energy, more aggressive side of their discography.
I No Longer Fear the Razor Guarding My Heel: These multi-part tracks are fan favorites, often structured as three-song suites that flow seamlessly into one another, highlighting $crim’s evolving production. The Studio Album Era As their popularity exploded, the uicideboyu i c i d e b o y
discography moved into the realm of polished, conceptual studio albums released under their own label, G*59 Records.
I Want to Die in New Orleans (2018): Their debut studio album debuted in the top 10 of the Billboard 200. It captures the chaotic lifestyle of their sudden fame and the mental toll it took.
Long Term Effects of Suffering (2021): This project saw the duo reflecting on sobriety and the lasting impact of their past, featuring a more refined and experimental sound.
Sing Me a Lullaby, My Sweet Temptation (2022): As their 47th project, this album continued their streak of commercial success while maintaining the gritty atmosphere their fans crave.
New World Depression (2024): Their latest full-length effort continues to push the boundaries of the "Shadow Rap" genre they helped pioneer. Key Themes and Production Style uicideboyu i c i d e b o y
discography is instantly recognizable due to $crim’s production (often credited as Budd Dwyer). Their music typically features:
Distorted Bass: Heavy 808s that create a claustrophobic, intense energy.
Nostalgic Samples: Frequent use of 90's Memphis rap samples (like Three 6 Mafia) and eerie ambient textures.
Vocal Contrast: The interplay between $crim’s gravelly, low-pitched delivery and Ruby’s versatile range—from melodic singing to rapid-fire "chopper" flows—is a hallmark of every project. Conclusion: A Legacy of the Underground
From their humble beginnings on SoundCloud to selling out arenas worldwide, the uicideboyu i c i d e b o y
discography remains a testament to independent success. By consistently releasing music that speaks to the "outsider" experience, Ruby and $crim have created a body of work that is as influential as it is vast. Whether you are starting with their early sagas or their latest chart-topping albums, the duo offers a raw, unfiltered look into the human psyche.
The discography of u i c i d e b o y (Ruby da Cherry and $crim) is one of the most prolific in modern hip-hop, characterized by a rapid-fire release schedule and a dark, "Grey" aesthetic. Their work is primarily released under their own label, G*59 Records 1. Studio Albums These represent their most polished, high-charting work. Thy Kingdom Come (2025): Their highest-charting album to date, debuting at #4 on the Billboard 200 New World Depression (2024): Continued their trend of top-tier chart performances. Sing Me a Lullaby, My Sweet Temptation (2022): Noted for its refined production and introspective themes. Long Term Effects of Suffering (2021): Explored sobriety and the aftermath of fame. Stop Staring at the Shadows (2020):
A shorter project that bridged the gap between their mixtape roots and studio polish. I Want to Die in New Orleans (2018):
Their major-label debut, capturing the chaos of their rise to fame. 2. The "Kill Your$elf" Sagas Additional 2017 releases:
A cornerstone of their discography, these are 20 individual EPs (Parts I–XX) released in batches between 2014 and 2017. They served as experimental grounds for their signature sound, blending Memphis rap influences with punk energy. 3. Major Mixtapes (The "Golden Era")
Between 2015 and 2017, the duo released a massive volume of work that defined the underground "SoundCloud Rap" scene: Eternal Grey (2016):
Widely considered a fan favorite, featuring darker, heavier production. Radical $uicide (2016):
Produced entirely by Getter, featuring the breakout hit "Memoirs of a Gorilla." Dark Side of the Clouds (2016):
Featured "Antarctica," which became one of their most iconic (and legally controversial) tracks. My Liver Will Handle What My Heart Can’t (2015): A raw look at addiction and mental health. High Tide in the Snake’s Nest (2015): Includes "Sunshine," a staple of their live shows. Gray/Grey (2015): Their first major full-length mixtape. 4. Collaborative EPs DIRTYNASTY$UICIDE (Vols. 1–3): GREY SHEEP (I & II): Solo-focused tracks within the duo framework. G.R.E.Y.G.O.D.S. (I & II): Shameless $uicide (2023): A collaborative EP with 5. Solo Projects Released the massive 30-song album via crucis in 2025 and A Man Rose from the Dead Ruby da Cherry: Released the punk-inspired project under the moniker Apple Music Where to Start? For the Hits: Start with I Want to Die in New Orleans For the Deep Underground Vibe: Start with Eternal Grey Kill Your$elf Part XX: The Infinity Saga For Modern $B: Start with Thy Kingdom Come Sing Me a Lullaby, My Sweet Temptation
The Evolution of u i c i d e b o y : A Discography Deep Dive
From a New Orleans "shed" to the top of the Billboard charts, cousins Ruby da Cherry
have built an underground empire on raw vulnerability and a relentless work ethic . Operating under their independent G*59 Records
label, the duo has released nearly 50 projects, transitioning from dark, lo-fi "horrorcore" to more experimental, melodic sounds. The Studio Albums
While their early fame was built on SoundCloud mixtapes, their official studio albums represent major career milestones.
The uicideboyu i c i d e b o y discography is one of the most prolific and influential catalogs in modern underground hip-hop. Since their formation in 2014, the New Orleans duo—consisting of cousins Aristos Petrou (Ruby da Cherry) and Scott Arceneaux Jr. ($crim)—has built an expansive empire through their independent label, G*59 Records.
Blending gritty Memphis rap-inspired production, heavy metal aesthetics, and raw lyricism about addiction and mental health, the duo has released over 6 studio albums, dozens of EPs (most notably the Kill Yourself sagas), and several collaborative mixtapes. 💿 Major Studio Albums
The duo's transition from SoundCloud pioneers to Billboard-charting artists is best charted through their full-length studio releases. 1. I Want to Die in New Orleans (2018) Release Date: September 7, 2018
Significance: Their debut studio album marked a major commercial breakthrough. It captured the dark, claustrophobic reality of their sudden rise to fame, featuring standout tracks like "Carrollton" and "Meet Mr. NICEGUY". 2. Long Term Effects of Suffering (2021) Release Date: August 13, 2021
Significance: Released during a critical evolution in the duo's sound, this album showcased more polished, atmospheric trap beats while maintaining their signature introspective lyrics. Top tracks include "...And to Those I Love, Thanks for Sticking Around". 3. Sing Me a Lullaby, My Sweet Temptation (2022) Release Date: July 29, 2022
Significance: A highly introspective project that delves deeply into their journey with sobriety and overcoming personal demons. It earned critical acclaim for tracks like "Matte Black" and "Not Even Ghosts Are This Empty." 4. New World Depression (2024) Release Date: June 14, 2024
Significance: A heavy, alternative hip-hop record that confronts the isolation of their success. Notable singles include "Us Vs. Them". 5. Thy Kingdom Come (2025)