The Weeknd has an extensive catalog of unreleased music, ranging from his early pre-Trilogy demos to tracks from scrapped albums like the 2017 project often referred to as "Blue" or his upcoming final chapter Essential Tracks & Fan Favorites
Exploring unreleased content often starts with these highly-regarded tracks found on platforms like SoundCloud Take Me Back to LA
: A heavily sought-after track originally teased in 2020. Fans often cite it as a top priority for an official release. Hold Your Heart
: A haunting, emotional demo that fans frequently compare to the dark, vulnerable style of his My Dear Melancholy, Girls Born in the 90s Unreleased The Weeknd Songs
: An early demo of what eventually became "Acquainted." Many fans prefer this version's production and lyrical flow.
: One of the most famous unreleased songs, featuring a darker, experimental R&B sound reminiscent of Echoes of Silence For Your Eyes Only
: A "haunting" track with a minimalist instrumental that captures the "Old Weeknd" vibe. Trust Issues (Remix) The Weeknd has an extensive catalog of unreleased
: While a cover of Drake's original, Abel's version is considered a definitive "unreleased" staple in his discography. The Eras of Unreleased Music
Understanding the context of these leaks helps trace Abel Tesfaye's artistic evolution: The Weeknd - Unreleased - playlist by ViC - Spotify
Before the mainstream pop dominance of After Hours, The Weeknd was a ghost. He uploaded three mixtapes in 2011—House of Balloons, Thursday, and Echoes of Silence—anonymously. During this period, the volume of unreleased The Weeknd songs is astronomical. The Trilogy Era: The Darkest Cuts (2010-2012) Before
Sessions for the Trilogy compilation (2012) produced dozens of demos that never saw streaming services. The most famous of these is "The Birds (Interlude)" —a spoken-word piece that was cut from Thursday. Another fan favorite is "Rescue You," a synth-heavy ballad that predates his mainstream shift. The holy grail of this era, however, is "Do It" (often mislabeled as "Can I"). This track features a pitched-down vocal sample over a skeletal beat, showcasing the grim, lo-fi aesthetic that made him famous.
Collectors note that the best unreleased The Weeknd songs from this era often lack the "polish" of the final Trilogy tapes. They are rawer, the bass is dirtier, and the subject matter is devoid of any commercial filter.
As the keyword "unreleased The Weeknd songs" gains traction, the internet fills with fake tracks and AI-generated content. Here is how to tell the difference:
When The Weeknd linked with Daft Punk, the world expected a full collaborative album. Instead, we got two tracks: "Starboy" and "I Feel It Coming." However, session tapes reveal at least four other unreleased The Weeknd songs produced by the robotic duo.
The most circulated is "Take Me Back to LA" —a surprisingly slow, vocoder-heavy track that feels like Random Access Memories meets Trilogy. Another is "On Top," a minimal funk groove that was scrapped because it sounded "too much like a Discovery B-side." Until Daft Punk's unreleased archives open (if ever), these low-quality snippets are all fans have. They remain the white whales of Weeknd collectors.