The compilation Ultrasound Studio Rare Remixes Vol. 159 , released around 2008, is part of a long-running series of bootleg/specialist remix collections known for featuring extended and rare "Ultrasound" versions of popular 80s and 90s tracks.
While full tracklists for this specific volume (Vol. 159) are often hosted on niche DJ forums or specialized archive sites, the series typically includes extended "Ultrasound" edits of classic pop and synth-pop artists. Examples of artists frequently featured in this series include: Modern Talking
(e.g., "Brother Louie," "Cheri Cheri Lady" extended versions) Alphaville (e.g., "Big In Japan," "Forever Young" retro remixes) George Michael (e.g., "Careless Whisper" Ultrasound Extended Version) Duran Duran (e.g., "Come Undone" Ultrasound Extended Version) Other 80s icons like Al Corley, Anne Clark, and Beagle Music Ltd. These releases are generally intended for DJ use only
and are not available through standard retail or streaming platforms. You can often find listings or similar collections on specialized sites like DJ Pool Records Forthpalm Music specific artist
from that era to see if it appeared on one of these volumes?
There is a romanticism to the volume number itself. It implies a vast, overlooked history. Volumes 1 through 50 were likely the foundation; Volumes 100 through 150 were the golden age. By Vol. 159, the scene was saturated, and the files were at their highest fidelity (or lowest, depending on the bitrate). va ultrasound studio rare remixes vol159 2008 hot
These releases were rarely neat. They came with missing metadata, filenames like track_01_final_master_real_final_v2.mp3, and cover art that looked like it was designed in Microsoft Paint. Yet, they captured the raw energy of the club scene in a way that polished streaming playlists today often fail to replicate.
No official tracklist exists anymore. The original blog post from RapidShare-Remixes.blogspot.com is long gone, and the comments section is a graveyard of dead links. However, based on archived forum threads (Dubstepforum, TranceAddict, and the defunct XLR8R message boards), veteran users have pieced together a likely flow for VA Ultrasound Studio Rare Remixes Vol.159 (2008 – HOT).
It would have looked something like this:
Original CDr copies of Vol.159 (Hot) are extremely scarce. Discogs lists only two owners worldwide. In 2012, a low-bitrate mp3 rip surfaced on a now-defunct Russian minimal blog, sparking renewed interest. Several tracks were mistakenly attributed to Ricardo Villalobos or Arpiar due to their percussive complexity, but later analysis confirmed the Ultrasound in-house team (producers known only as “K.” and “V.”) as the remixers.
In underground circles, Vol.159 is considered the peak of the “Hot” summer series—a time capsule of late-2000s tribal, minimal, and deep house colliding under a single, sweaty roof. DJs who own the original CDr guard it fiercely, and full digital rips remain intentionally unshared out of respect for the label’s ephemeral ethos. The compilation Ultrasound Studio Rare Remixes Vol
Since tracklists were often just a handwritten note in a .RAR file, memory is hazy. But veterans recall two standout cuts:
In the vast, murky ocean of digital music history, certain files float just beneath the surface—recognizable only to the most dedicated collectors, forum trolls, and late-night YouTube algorithm divers. One such artifact is the elusive "VA – Ultrasound Studio Rare Remixes Vol.159 (2008, Hot)."
At first glance, the title reads like a piece of spam from a broken BitTorrent aggregator. But for those who were active on niche music blogs, Soulseek, or early 2010s file-sharing rings, this name carries a specific weight. It represents a forgotten era: the heyday of the "studio alias" mixtape, the golden age of re-edits, and the pre-Spotify scramble for exclusive heat.
This article is an excavation. We will break down every component of the keyword, trace its likely origins, analyze its sonic DNA, and explain why a cryptic album from 2008 still generates whispers of curiosity today.
By 2008, French Touch (Daft Punk, Cassius) had gone mainstream. Ultrasound Studio’s remixes often took a classic disco or 80s pop vocal (Michael Jackson, Madonna, Whitney) and slapped it over a four-on-the-floor kick with a pumping sidechain compressor. The "rare" part came from the acapella source—often ripped from a DVD or a promo vinyl that normal DJs couldn't afford. The Proxy – "Raven" (Ultrasound Bootleg) – A
To call VA Ultrasound Studio Rare Remixes Vol.159 2008 HOT a "compilation" is like calling a warehouse rave a "gathering." It was a statement. It was a theft. It was a love letter to a specific, sweaty, bass-driven moment in dance music history.
If you ever find a surviving .rar file with that name—complete with a tracklist typed in ALL CAPS and a .nfo file that says "STOLEN FROM ULTRASOUND STUDIO"—do not delete it. Burn it to a CD. Play it in a loud car. The sound is outdated, the remixes are technically illegal, and the mixing is sloppy. But for 72 minutes, it captures exactly why 2008 was hot.
Have a copy of this volume? Do you remember the exact tracklist? Sound off in the comments below. Links are welcome, but respect the ghosts of RapidShare.
Author’s Note: This article is based on archived forum culture, digital music archaeology, and the collective memory of electronic music fans from the bloghouse era. No actual copyright infringement is encouraged. Preserve history, don’t monetize it.