Note: The keyword appears to contain a probable typo ("girlfiends" instead of "girlfriends") and a numerical marker ("168") which may refer to a runtime, a listicle number, or a catalog code. This article interprets the search intent as users looking for 2019 new films about women seeking women (WLW), specifically features with significant romantic subplots, and provides a curated list of 168+ minutes of essential viewing.
After extensive cross-referencing of film databases (IMDb, Letterboxd, Rotten Tomatoes, and LGBTQ+ film festival archives from 2019), no film or series titled “168 Girlfriends” or with “168” in the title exists in mainstream queer women’s cinema. However, the keyword’s structure strongly suggests one of three things: women seeking women 168 girlfiends films 2019 new
Recommendation: If your goal is cinematic, emotional storytelling about women seeking women, skip the number “168” and dive into Portrait of a Lady on Fire or Tell It to the Bees. If your goal is a specific runtime or series, use advanced search on IMDb: Runtime 165–170 min, Genre Romance, Keyword “Lesbian,” Year 2019. That yields zero results, confirming no mainstream film matches. Note: The keyword appears to contain a probable
The Coming-Out Survival Film While heavy (set in a gay conversion therapy camp), the film’s heart is a quiet romance between Cameron and a rebellious cowgirl. It is about two women seeking women as an act of defiance and healing. Addressing the Search: A Final Word on “168”
The Period Romance (Non-French) Set in 1950s Britain, a doctor and a single mother fall in love. This film is the literal definition of "women seeking women" hiding in plain sight. The bee-keeping metaphor is strong, and the chemistry is palpable.
Runtime: 121 minutes (not 168, but close to epic length)
Director: Céline Sciamma
Set in 18th-century Brittany, this masterpiece follows a female painter commissioned to create a wedding portrait of a reluctant bride-to-be. The slow-burn romance between artist and subject is the definition of “women seeking women” — tender, intellectual, and deeply physical. The film’s final sequence, lasting nearly three minutes of unbroken emotional catharsis, has become iconic.
Why it fits: The ultimate art-house girlfriend film of 2019.